Kin
I saw the end of my line
Incised on a bark-bare branch
A secret I couldn’t keep from myself
The knowledge of a storm flash – strike
A corkscrew cleft on a limb – now leaf bereft
No canopy to obscure a fledgling nest
From the hawk – the crow – the warm summer rain
No nourishing gift to drop as fertile mast
From this outstretched withering winter-gray arm
No seed by seed release from fingertip tendrils
To forest furrows
To the moss-rimmed dish of the swollen doe
This limb soon to break under its own weight
To snap at its rotten knot
Through a communion of laws
Weakened by the drilling of sightless worms
The press of ice and snow
And the indifferent kiss of the wind –
To fall and to affect a muted rising
In the tinder-kindled smoldering of an earthen hearth
In sympathy with its host through slow--
Lonesome decay
New door – Old Frame
You came into my life – my name
Like a new door in this old frame
Where the lintel shrugged and the pine floor heaved
Where the panels cracked and the hinges grieved
Where the doorknob spun and the lock refused
Where the casing strained and the bull’s-eyes mused
Where the winter wind past the threshold blew
Where the brass into the paint withdrew
You came into my life – my name
Like a new door in this old frame.
You came into my life – my eyes
Would build a world beneath your skies
With aching arms and callused hands
That felled the wood and cleared the land
With a backbone built to brace a beam
With a brain equipped to form a dream
With a heart that craved the heat of home
With a mind grown tired of being alone
You came into my life – my eyes
Would build a world beneath your skies
They came into our lives – our hands
Would hold them – as an Elm tree stands
Within its mighty limbs – a nest
With shells to warming feathers press’t
The love and shelter we’d provide
Through sweat and labor – pain and pride
We have a reason – to exist – and strive
To watch them as we grow and thrive
They came into our lives – our hands
Would hold them as an Elm tree stands
You came into my life – my name
Like a new door in this old frame
Carpenter’s Answer
As a boy I would sit in a tree by a stream
Pretending the cherries were stars in my dream
And I was the Master on far-away seas
On the deck of my ship in a tropic night breeze.
But there came a day when that tree felt the axe,
And there was that stream that my youth could not pass.
I gave up the sea for the family trade
The hammer and nail – the bit and the blade.
My father bequeathed me his knowledge and name
He was his own man – will I be the same?
What shall I make now I’m given these tools-
Should I build me a bridge – with hammer and rule?
Will I then cross that stream to the opposite side -
Fording stream after stream with the sun as a guide?
Will I make that far seaport while day is still young
Will I be aboard when the lanterns are hung?
Or will I search in these fields for my foundation stone
Would contentment be found in what others have known?
Would I build me a house bound by water and wood
Mortised and tenoned as post and beam should?
Plaster and lathe and colonial shakes
Yellow pine floors - cut nailed to the face?
Would I find me a woman whom I could lay claim to
And then build us a child that we’d pin our name to?
Could I build us a hope and a dream wrought in rhyme
And set it to music in the happiest time
Then dance to that tune with my woman and son
In my heart, in my arms, once the deed had been done?
Would I build me a gate to my white picket yard-
With a swing on a limb and a Collie on guard?
Would the universe bloom within my cherry tree
For my son in the way that it once did for me?
And once I’ve carved out a world from this spherical stone
Which spins in the ether – its substance unknown
Can I live with the thought that I never will touch
What is sacred to drifters and dreamers and such?
And would a day ever pass – that I would not ache
For the sea – once I’d built my home on this lake?
Then I see that boy on a swing – and my wife…
I take a deep breath and say: “This is my life”.
Homeless
The child I was –
Would he know me
Now – as I raise this skeleton house frame
From foundation
Affixing flesh to wooden ribs
Imparting – with each hammer stroke –
Small flakes of my own soul?
Would he know me still
As I unroll my tape
And mark each raw stud and rafter –
Each piece of moulding
Easing the saw down
As I have – so often – done?
Will he remember the first time
And remind me of that original
Merging of matter – spirit
The drawing – the staging – the execution –
The secret inner survey...
And the silent walking away...?
Will he remind me that he had this life in mind
That this was to be the measure of me?
Had the wondering child in me
Chosen for his wandering self
A labor that leaves
Fragments of its homeward self
In the fixed nests of others-
Warm in winter
Dry in rain –
Sheltered from the summer sun
And wind-swept dust of drought?
Had I been early built –
To build
Houses –
To house
The homeless pieces of me?
Notes From An Underground Carpenter
Early mornings stagger
Into late evenings
Consuming entire weekends
When things don’t go according to plan…
Which is often –
The weather plays with me
The phone rings: Someone can’t make it in
The phone rings: Your order will be delayed
The silent chaos that lurks
Behind an innocent looking wall
Or ceiling – or floor
But you have to look – You can’t not look
You’ve got to tear it out –play it out
Carry to the extreme that
Which would pass with half the effort
Installing an eat-in kitchen
The center of their home – their universe
Their not-so-subtle reminders
Of the “inconvenience” – the “expectation”…
But often that’s the nature of the game
Create order out of chaos without true reward
Sacred out of profane without false faith…
I shouldn’t let it bother me so
Yet, strangely – I think to myself – how fortunate
That I live alone – that I don’t hear
Complaints and demands when I come home:
“Why am I always late – always away – always…distant?
I’ve spent so much time
Working on the houses of others
That I neglected
To build a home of my own –
That circle may never be complete
That moon shades shy of full and on the wane
And the last thing I want to see when I get home
Is another project...
I think of this now
Over breakfast, in my basement apartment
As the silence is punctuated
By heels on the brick sidewalk –
Passersby like the rush of a river
Flowing to some mystical sea
Their inconvenience – their expectation!
Blessed as I am with the wealth of few wants…
How fortunate – I – am!
Yet the foundation of my freedom cracks
And the cold damp mist of reality seeps in
Ever a renter – never an owner
Still internally hopeful for an external ideal
While I witness the graying shift to my youthful calculus
A man born free but everywhere chains
A slave to my own standards –
What I’m going to be – I already am…
How could it be otherwise?
A man has to do something
Be good for something – at something
Accepting his role in the cultural drama
The Social Contract
Aligning himself with the forces of imperative
Yet aware that it comes with a price
But as the day slips not so quietly into night
The precision and purpose of the work
Narrows my focus to a laser-like point
No distractions but the draftsman’s visions-
Abstractions into hard angles
No dreams but the dance of hands over wood
The dust of creation in the air
No sound but the drone of hammers and saws
Punctuated by the passing of heels on the pavement...
Too Slow for Demolition
These days
I still do a bit of the demo work
Though I tell myself I’ve paid my dues
That I prefer construction to destruction –
Reminding myself that most of what I know
About putting things together
I learned by taking things apart.
Truth is…I’m just too slow to make it pay.
And while I complain, saying:
Who needs all that plaster dust in the face…
The chaos…
The scramble to get it down and get it gone…?
I still find myself wading into that mess.
Taking my time
I erase the work
Of those who came before me –
All the detail and sweat
By nameless men –
With their crude tools
And materials I still can’t identify.
Men who’d be dumbstruck to see
The tools I’ll soon be setting up.
I see their spirit in the chalk-white dust
I feel their life force vibrating in each cut nail I pull –
And their hard learned lessons
And subtle chiding through the endless splinters
That come from that gnarly lath.
It all ends up in the truck.
And as if facing one of a pair of opposing mirrors
Looking at once ahead and behind me
Seeing an endless past and future stream –
No trick of light – no mere illusion
I can see them all on down the line
From the Colonial post and beam man
To the very one
Who’ll someday strip
My own work from this job.
Where will I be then…?
Will I still be…then…?
Or will I have become just another half-heard voice
Murmuring between these rafters and studs?
It’s the movement of time
The skill of past carpenters
And the stories in voices that flow through a stream of generations:
(When heard by the pure of heart)
Voices that thunder like Brahman
Within and without these plastered walls and ceilings
That light my eyes and guide my hands.
No, I don’t make a very good demo man.
I’m just too slow....
I owe them that much
Bill Thibodeau
Annie on the Stairs
These pine stairs
Were once an inch thick
Now – in places – they’re about half of that
How they held up –I’ll never understand
At first sight – I held my breath…
But looks can be deceiving – I knew they’d outlast me.
Annie was always after me to replace them, saying –
“But, Isn’t that what you do?”
“Yes” I’d say, then quickly change the subject
And she soon gave up her asking
How could I explain?
They were in rough shape when we bought this place
We were so young – and this house so old
And after a hard day on the job – in the heat
The dust and the noise – learning the ropes
On icy staging – in the wind –
With the snow-covered ground so far below…
My fingers remember it all
After chores – and dinner with Annie
I’d hit those stairs and hear those familiar creaks and groans-
Each stair had its own pitch and tone
Like old pine piano keys on a world-weary board
I’d look forward to those sounds
Because I knew we made it through another hard day.
After cleaning up – I’d lie in bed – reading
Or thinking about the bills – or about time
And what an older version of us would be like.
Then – I’d hear Annie on those old stairs
Playing her own sweet melody
I knew that the door would soon be opening
And that I’d be putting to bed those old cares.
The kids came and grew
And stair music went from hesitant –
To playful and raucous
And more than once to anger
Yet…at the end of the day
I’d hear Annie on the stairs…
And on those later-than-curfew high school nights
When they thought I couldn’t hear
It was that safe-at-home-at-last-music
That cut through my frustrations-my fear
And that’s when I knew Annie knew
The kids are since gone – the stairs
Are still holding up (mostly)
Every so often I tamp down a restless nail or two
A battle I know I’ll soon lose
On these long winter nights
When I feel as old as this house
I know I’ll be leaving that fight for the next guy
Just as long as I hear Annie on the stairshere.
Victoria
I have walked in Victorian beauty
And leveled desperate things
Re-framed clouds and staggered horizons
While watching my mood's rustling wings
To a song or a sigh – this house rises
Birch lines the path to the stream
Each room infused with fragrance
Each heaviness borne by a beam
With the gentle strength of an Atlas
I trace the lines of my spine to a post
To roof-slate and clap-siding held ransom
In this attic my youth lives as ghost
We receive what we're built to receive
Buttressed winds – weathered snows – sheltered...god?
Yet, my walls are porous to nature
In sympathy with my soul's lightening rod
Its larder my fuel – wood fire my heat
Within books I melt in my chair
By candlelight read of the ancients
By starlight stray far from my lair
Old for the old – new for the new
A reference you serve to my sight
The stream's rushing sounds – the birches convey –
I pace the widow's walk on lone winter nights
I work my trade from the outside – in
While the shell will sustain as it must
Though time fades the paint and rain rots the sills
And nails write my history in rust
My sashes still blaze with earlier east
Yet in darkness the panes to the west...
Shadows inform my direction
Time's hammer stroke never at rest
There will be no vast restoration
A challenge to simply maintain...
Block plane to doors slightly settled
And oil to a squeaking refrain
Have I pulled down my stairs to the moon – far too early
And angled them more towards the stream?
And can I still savor those earlier visits
On clear nights with those caressing beams?
As if sheltering under a scented bough
I have merely borrowed these boards
The embrace of needles and branches
The poorest of men can afford
The stream will whisper and beckon
As art, from the inner life flowers
A house allows comfort and warmth
As my minutes find solace in hours
And not to consume my hours for wages – for bread
Nor draw blood as I settle my pay
Have a life that a rich man would sigh for
Beauty at the end of the day
The Tradesman’s Flame
Had it flared another moment more
Had the bellows wind not ceased to blow
It would have been a total loss
I would have learned – then – to let go
But the alarm went out too fast and loud
As water streamed from sources strong –
When the smoke had cleared -I could not mourn
I could not weep – nor move along
We’d worked that year from frame to paint
With money scarce – we’d slave for wage
Each room a chapter of our lives
Each post and plank a living page
True neighbors came with salt and bread
And wine for all who gathered there
To bless – to spice – our humble home
With joy to toast our hard earned fare
We shared the experience of toil
Of boards and nails in tender weaving
Walls and roof to face the weather
And through it all – never missed the meaning
But the – enemies of love conspired
And the day soon came when I would be
Alone – without her winsome smile –
In that shelter of her memory
By a candle on the window sill
I sat in wait for time to heal
The curtain blew as if to wave
It could not heal what was no longer here
And then the flames – with the curtain – danced
As the complicit wind began to blow
It should have been a total loss
And I – like incense - free to go
Yet it stood there singed and damp and nude
As if somehow aware to know
That life feeds off its tender past
As flames – which lick dry tinder – glow
Then month inched into lonely month
And I – the tradesman – medic healed
The shell of what was nearly lost
While the spirit of the healer knelt
But these walls are not those walls where hung
Those portraits from that other time
These windows never braced the chill
Nor stairs in passion did we climb
These floors have never known our dance
These drapes weren’t closed to prying eyes
These furnishings not graced those rooms
This bright façade a vain disguise
It’s all brand-new – each post and plank
Since candle, drape and wind conspired
To strip me of the artifacts
That her love and labor had inspired
All that remains is the window view
And the path to the dooryard gate
To the road that ever leads somewhere
Or returns one home who staggers late
Then it came to me one morning rise
As the light streamed through the window panes
That the breeze that fed those cleansing flames
Had a soothing voice – familiar name
It did not whisper “Fare thee well”
Nor promise living free from care
But to remind me of the mystery
And that I – like wind – must forward fare
Had it flared another minute more
Had that knowing wind not ceased to blow
It would have been a total loss…
For where – then – would I go?
I Fear I Am Becoming What I Do
A one who plots voiceless angles
And outer dimensions
Who engages in silent negotiation
With plaster and wood – stress and load
Whose hands reach in dull – blunt caress
Who seduces sexless shapes into electric symmetry
In drafty – unheated assignation
Sawdust coats my tongue and throat
The act of swallowing replaces – one by one –
My bones with wood
I fear I am becoming what I do
I’m loosing the ability to speak
On subjects in the liberal arts – culture
Phrases not prefaced by inches and angles
Are stalked and killed by inattention
As waves of form and function
Co-opt my inner voice
My lover punishes me with long sentences
I exhale fine silt of wood and chalk
A breath of cosmic motes that hangs a moment
As swirling particles of planetary dust and stars
That slowly settles while dancing
In shafts of sunlight – slanting
Through newly installed windows
I fear I am becoming what I do
Framing endless walls – each stud
Yet another bar or stone
In the Berlin Wall of my life
Confined – neither hunter nor hunted
While poets and priests – seekers and sages
Flow in and out of furnished rooms
Through doorways leading to ever – somewhere – else
My hands are at war with the rough bars
Each splinter an opiate needle
To anesthetize a fleeting dream
My kind lover plies me with wine
While she operates by candlelight
In the course of each day
My fingertips are worn anonymous smooth
Through repetitive labors I give birth
To my inward self-
Sweat and blood droplets – drip and seep
Into sawdust furrows – where they commingle
And germinate – then ripen in silent darkness
I arrive in the morning to my freshly reaped form
I have become my own stamen and pistil
Pollen and seed – in cold orbit
Circling my own nucleus
Each day a degree more competent
And a generation – more – inbred
I fear I am becoming what I do
The whir of saws and din of drills
Follows me into hushed rooms
As mosquitoes and gnats – drowning out my lover’s sighs
They invade the private spaces of my mind
Finding their way thorough screens and netting
To swarm about my ears
Silenced only by the drone of television
And the Niagara roar of whiskey
Entering houses – cafés – theatres
At first not addressing those mingling interacting forms
Or anticipating the projected action on silver – screen
My lover knowingly squeezes my hand – and waits-
While the levels and plumbs of my mind
Follow my eyes and calculate
The incidence of wall meeting ceiling
Or detect the flaws in the joining
Of sections of Crown Moulding…
I fear I am becoming what I do
The Woodwright
The Woodwright dreams –
Sleeps fast behind his eyes
In his faded workshop
Where tools speak in tongues – of dim origins – concepts
Dying languages the modern world neglects
The joiner's mallet drums his brain
Neither proud nor shy – but flush with
Wild and aging eyes that bore throughout his purpose
Like a sharpened bit in a brace –
Belt-driven blades that rip and crosscut
Lengths of boards as familiar as his fingers and beard
He wakes to salty tears and pillow sweat
In a house he shares with silenced lives in photographs
As the early rising eastern glow
Punishes the bedroom blinds...
Stiff broad fingers – chisel-split and splintered
Navigate the clothes pile on the chair
To rescue jeans and flannel
And adjust a striped suspender – lace a boot
Coffee perked and bacon from the stove
Revive the scents that live within his walls –
Replace the suet for the blue jays on the rail –
Drop apple scraps and potato peelings on the frozen ground.
Yet there is a softer peace that sleeps –
Upon the worn wood kitchen floor
On a throw rug – with edges unfringed by the fraying broom...
A calm – familiar breathing carries over to his head
From a heart and lungs as old as his
In years defined by dry-boned reckoning...
Stirring – the source of the breathing rises and shakes
Then leans on towards the morning routine door
Exchanging the workshop in his mind –
The soft – worn – fabrics and fogs
For a woodland path that leads to a rise by an ice-choked river
And a board and batten shop
Hours empty of warmth and of light while he slept –
Its sill – sits on posts and river stones
Fastened to the earth with gnarly vines –
And dined upon by lichens and moss
Built by the strong sure hands of a man –
Yet to return to the earth and make fertile the land.
Its frost-rimmed windows awaken to the sun
As he ignites his daily kindling
Adds logs from the rusted cross-buck –
The logs now – narrower
And easier to grip and split with tired hands
Yet too quickly consumed by the flame...
Scattered in the wood box – remnants of the old blue rowboat
That came to its end on November rocks
When a right hand oar slipped from an oarlock...
Cut to pieces for the fire – lest it suffer the slow sad burn of decay...
The hearth stones – spattered with the embers of old work past
Soon swept into a metal bin
The cast iron stove heat rises – stirs the fragrant air
As the young sun filters through ancient sawdust motes
Prism clouds of mahogany – walnut and cherry – yellow pine and cedar
That descend to the depths of the workroom floor
From webs on rough sawn rafters and beams –
Settling in the ache of age on the bench top – worn smooth by use...
----------
Here – he builds birdhouses – bat houses – turns finials and bowls
To give purpose to time that has no meaning
To moving 'round the center as motes 'round the stove
...As turnings on a lathe
To plumb a ridge post that is forever leaning
He cuts mouldings convex and concave
In a flurry of knives and blades
The aromatic chips and shavings he saves
...To help those remember what was lost
As senses and memory fades
As ice and snow motes blanket the river
And fields – with Winter preparing
To yield to the Spring and the endless giver
...Laying plans for a new river work boat
To launch – when the musty old workroom is airing
On the river he'd rowed upstream – returning
Til again – and once more – ceased to matter
To stoke a wood stove that his workdays kept burning
...His seasons of sawing and splitting
The cost bound to the former –
Remained the unknowable latter
He'll glide on the white river – downstream
On the freshet the spring thaw provides
He'll wake in the morn to a new dream
To his familiar – hound – breathing
An adventure his spirit abides